Fragmentation and eros in Debussy's Chanson de Bilitis and ...
Debussy based one of his last piano works, the Six Epigraphes antiques of 1914, on some unpublished incidental music he had composed in 1901 for Pierre Louys's Chansons de Bilitis. The original Bilitis music has typically been disparaged as a rough draft, left in fragments because Debussy didn't have enough time to finish it. The longer, more unified piano pieces are conventionally regarded as ...
![whatsapp](/images/whatsapp.png)